Découvrez un trésor littéraire cher à Reliefs et son illustration spécialement commandée à un artiste contemporain.
Retrouvez à l'intérieur :
- une illustration imprimée avec soin sur papier d'art - un livret de quatre pages reprenant l'extrait littéraire illustré Les tirages sont réalisés sur un papier de création suivant des techniques de reproduction précises, afin de respecter le plus fidèlement possible la création originale. Il est recommandé de protéger l'illustration jusqu'à la mise sous cadre et de la manipuler avec le plus grand soin.
Certes, il existe déjà des déclarations, celle de 1948, universelle dit-on, celles de notre bloc constitutionnel français, mais qui les connaît ? Elles sont sans souffle comme l'installation du texte de 1789, séparé de sa rythmique, à la station Concorde de la ligne 12 du métro de Paris. Celle que vous allez lire a vocation à circuler et à offrir un texte pour réapprendre à lire notre fondement ; des gilets jaunes, déjà, nous y avaient invités en inscrivant l'Article 35 et son devoir d'insurrection sur leur dos.Les enfants de 1789 à 1792 apprenaient à lire dans la Déclaration des droits de l'homme et du citoyen de 1789. Aussi, chacun la connaissait par coeur et les constituants réactionnaires qui firent régresser le texte constitutionnel après la terrible répression anti révolutionnaire du 17 juillet 1791, n'osèrent pas toucher au texte de la déclaration. Le monde ne tient que sur le souffle des enfants qui étudient, dit le Talmud ; gageons que notre monde pourra tenir sur le souffle des enfants qui apprendront à lire leurs droits dans cette réécriture de la déclaration radicale de 1793. Chaque article peut faire l'objet d'une affiche, d'une vidéo virale, être lu comme un poème qui dans l'obscurité saurait chasser la nuit. Ramener la foi en l'impossible, ici maintenant, partout.
Ajoutez une touche fantastique à votre intérieur grâce à ces 16 planches prêtes à encadrer, issues de l'oeuvre du génie rebelle de la Renaissance, Hieronymus Bosch, et comprenant des détails spectaculaires du Jardin des délices terrestres.
Découvrez un trésor littéraire cher à Reliefs et son illustration spécialement commandée à un artiste contemporain.
Retrouvez à l'intérieur :
- une illustration imprimée avec soin sur papier d'art - un livret de quatre pages reprenant l'extrait littéraire illustré Les tirages sont réalisés sur un papier de création suivant des techniques de reproduction précises, afin de respecter le plus fidèlement possible la création originale. Il est recommandé de protéger l'illustration jusqu'à la mise sous cadre et de la manipuler avec le plus grand soin.
OTOMO Katsuhiro is one of the most respected and influential Japanese artists/storytellers in the history of modern comics. He has also worked extensively in animations; from his own, hugely successful adaptation of his epic manga, Akira, which is widely considered to be a pinnacle of the form - a work of astonishing power and visionary scope, with unsurpassed artistry. This book, as the second title published by PIE International, exclusively features more than 150 Posters all of which use Otomo s great illustration works. In addition, all posters are finely finished by professional graphic designers, so that this title presents a variety of great hybrid works of Otomo s illustrations and professional graphic design works. Roughly half of inclusive works are the posters of his movies such as Akira , STEAM BOY , SHORT PEACE and so on, while the rest of the works are consist of various advertisements: atre Kichijoji (Department Store) , Geopolice (indoor amusement park in Tokyo) or BRUTUS (Japanese Magazine) . Special bilingual (Jpn/Eng) interview with Otomo and a graphic designer will also be included in the last 6 pages. This title can be popular among not only Otomo s fan but those who are interested in illustrations and graphic designs.
This inspiring print set offers sixteen designs to transform a blank wall into a personalized display. Each set of sixteen images has been specially selected from the TASCHEN collection as the most loved, and most interesting, examples of Kahlo's work. The prints are packaged in a sturdy cardboard box and are suitable either for framing or as a poster.
Vous avez une furieuse envie de graffer, de transformer les wagons du métro en oeuvres d'art vivantes et colorées ?
Alors, ouvrez vite ce Book Graffiti. Vous découvrirez un long depliant de 50 wagons de metro, tout blancs, tout vierges. Minissez-vous de vos plus belles couleurs et laissez libre cours à votre imagination et votre créativité. Défoulez-vous !
Une fois votre graff terminé , vous pourrez l'afficher... avec fierté!!!
- Un book Graffiti déstiné aux amateurs, aux artistes et aux crews.
- Plus de 50 wagons de métro pour des graffs personnalisés.
- Une petite histoire du Graffiti de NewYork à Paris
Vincent van Gogh´s life and work are so intertwined that it is hardly possible to observe one without thinking of the other. Van Gogh has indeed become the incarnation of the suffering, misunderstood martyr of modern art, the emblem of the artist as an outsider. An article, published in 1890, gave details about van Gogh´s illness. The author of the article saw the painter as "a terrible and demented genius, often sublime, sometimes grotesque, always at the brink of the pathological." Very little is known about Vincent´s childhood. At the age of eleven he had to leave "the human nest", as he called it himself, for various boarding schools. The first portrait shows us van Gogh as an earnest nineteen year old. At that time he had already been at work for three years in The Hague and, later, in London in the gallery Goupil & Co. In 1874 his love for Ursula Loyer ended in disaster and a year later he was transferred to Paris, against his will. After a particularly heated argument during Christmas holidays in 1881, his father, a pastor, ordered Vincent to leave. With this final break, he abandoned his family name and signed his canvases simply "Vincent". He left for Paris and never returned to Holland. In Paris he came to know Paul Gauguin, whose paintings he greatly admired. The self-portrait was the main subject of Vincent´s work from 1886c88. In February 1888 Vincent left Paris for Arles and tried to persuade Gauguin to join him. The months of waiting for Gauguin were the most productive time in van Gogh´s life. He wanted to show his friend as many pictures as possible and decorate the Yellow House. But Gauguin did not share his views on art and finally returned to Paris. On 7 January, 1889, fourteen days after his famous self-mutilation, Vincent left the hospital where he was convalescing. Although he hoped to recover from and to forget his madness, but he actually came back twice more in the same year. During his last stay in hospital, Vincent painted landscapes in which he recreated the world of his childhood. It is said that Vincent van Gogh shot himself in the side in a field but decided to return to the inn and went to bed. The landlord informed Dr Gachet and his brother Theo, who described the last moments of his life which ended on 29 July, 1890: "I wanted to die. While I was sitting next to him promising that we would try to heal him. [...], he answered, `La tristesse durera toujours (The sadness will last forever).´"